THEATRE REVIEW: Review: Salomé (National Theatre).Yaël Farber revists the myth of the woman who demanded the head of John the Baptist (Matt Trueman). Mr. Trueman hated this production: "The South African director's own version of the biblical myth – a feminist reclamation – is so confounding that it might as well be written entirely in Aramaic." That sounds okay to me, but I can see it wouldn't work for everyone.
For more positive takes on the Farber production of Wilde's Salomé, see here and here. Past posts on the historical Salome are here and here. For more on Salome and the arts, see here.