THE ISRAEL MUSEUM was designed nearly half a century ago by Haifa architect and Technion professor Alfred Mansfeld and interior architect Dora Gad, who won the competition for the campus back in 1959. After the museum opened, they were awarded the Israel Prize.
While the museum looks wonderful when seen from the heights of Rehavia across the Valley of the Cross, it presents no face at all when seen from its parking lot or even from most points inside the campus. The museum is many times bigger than it originally was. The additions have been made piecemeal, with the result that visitors get lost in a labyrinth and often miss key displays altogether.
Mansfeld's basic mistakes were many. He sited the main buildings up on the crown of the hill, a kilometer from the parking lot, with the uphill climb offering no protection from Jerusalem's harsh extremes of climate. The design of his modular pavilions did not work because of their square format and mushroom design, which relied on an obtrusive central supporting pillar carrying both drainage and the power supply. The roofing was connected to the walls by glass that let sunlight fall on the exhibits and, for a while, also let in rain. The windows were eventually sealed and painted black.
The museum's previous director, Dr. Martin Weyl, battled Mansfeld's resistance to change over a period of years. Mansfeld opposed the design of the Impressionist pavilion, the first major addition to successfully ignore the mushroom approach.
Mansfeld's last gasp was supervision of the construction of the Weisbord entrance pavilion designed by Danish architect Jorgen Bo. Even before it was completed, it became clear that this large building was the silliest and most impractical museum structure ever built. Hostile to the end, an ailing Mansfeld was eventually ejected. He and Gad are no longer alive.
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Saturday, April 29, 2006
THE REFURBISHMENT AND REDESIGN OF THE ISRAEL MUSEUM is covered in a long article in the Jerusalem Post ("An inside job"). It's too long to excerpt properly, but here's what the architect was up against: