RESTORING THE MASADA FRESCOES:

Restoring the glory of Herod the Great
By Eli Ashkenazi (Haaretz)

"This is the pinnacle of my career in restoration." This was how Italian expert renovator Maurizio Tagliapietra defined his work on the preservation project of the palace of Herod the Great in Massada, near the Dead Sea, before returning to Italy. The complex project, headed by the Israel Nature and National Parks Protections Authority (INNPPA), was completed last week after three years of preparations and two weeks of work.

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Before the current project began, the paintings were removed from the walls, put on fiberglass slabs and returned after being sealed in glass to protect them.

"This preservation technique turned out to be disastrous. The damage sustained during the past 40 years has been greater than that of the previous two millennia. The frescoes were crumbling," Margalit recounts.

To save the frescoes of the Northern Palace, the INNPPA launched the restoration project three years ago with funding from the ministries of finance, environment, tourism, industry, trade and education. The Israeli UNESCO (United Nations Education, Scientific and Cultural Organization) committee also participated in the project, along with the Dead Sea Water Authority. The Antiquities Authority then issued an international tender that resulted in Tagliapietra's involvement.

After much deliberation, the archaeologists decided not to return the ruined frescoes to the site after they had been restored. "This wasn't an easy decision," says Margalit. "In renovation projects we always prefer to keep the articles at the original site, but the damage was just too extensive."

The frescoes were put into a special renovation laboratory built at the bottom of the Massada complex. Most are to remain in the new museum built at the site, which will soon be opened to the public. However, some of the frescoes were returned to the palace's southern wall, which is less exposed to damaging sunlight.

"We decided to replace the frescoes removed from the palace with replicas in order to return the color into the palace," says Orit Borbnik, conservation manager at the INNPPA. "These are exact copies prepared with the same techniques that were used on the original pieces during the times of Herod the Great," she adds.

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