Tuesday, December 17, 2024

Elgvin, My Lips Play Flute for the Highest (Cascade)

NEW BOOK FROM WIPF & STOCK:
My Lips Play Flute for the Highest
Jewish Hymns and Prayers before Jesus

by Torleif Elgvin
Imprint: Cascade Books
244 Pages, 5.50 x 8.50 x 0.49 in

Paperback
9781666770018
Published: November 2024
$31.00 / £25.00 / AU$48.00 DESCRIPTION

My Lips Play Flute for the Highest presents fifty-five poetic texts from the Dead Sea Scrolls and other early Jewish writings: hymns, psalms, liturgies, petitions, visions, and end-time scenarios. In psalms and prayers we may come close to the souls of ancient Judeans, who pour out their sufferings, laments, hopes, and praises to their God. We encounter a plurality of end-time hopes, with or without messianic actors on earth. Jewish piety from the last two centuries before the turn of the era emerges vibrant and powerful, but also sensitive and full of hope. Introductions to the various scrolls and writings inform readers about how scholars understand these texts and where scholarship locates them in time and space. This book provides a moving and vital entry into early Judaism, before the emergence of the Jesus movement and rabbinic Judaism.

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"Josephus, Translated and Transformed" at USC

EXHIBITION: Flavius Josephus, Lion Feuchtwanger and the Eternal Struggle with History (JACOB WIRTSCHAFTER, Moment Magazine).
In the hushed, book-lined halls of the Doheny Memorial Library at USC, visitors are greeted with a provocative question: How do you write history when you’re part of it—and when the world around you is crumbling?

The library’s new exhibit, “Josephus, Translated and Transformed: From the 1st to the 21st Century,” runs until December 18 and pairs Flavius Josephus, the first-century chronicler of a doomed Jewish revolt, with Lion Feuchtwanger, the 20th-century German-Jewish novelist who fled Nazi persecution. Two men separated by nearly two millennia, yet linked by their ability to record catastrophe from the eye of the storm.

[...]

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Monday, December 16, 2024

Rollston on the Samaritan Decalogue tablet - Caveat emptor

EPIGRAPHIC DOUBTS? Sotheby’s Samaritan 10 Commandments and the Antiquities Market: Caveat Emptor (Christopher Rollston, Times of Israel).
Am I certain the Sotheby’s Samaria Ten Commandments were forged some 75 to 100 years ago? No. But am I convinced these are genuine ancient Samaritan inscriptions from 1000 or 1500 or 2000 years ago? Absolutely not. In short, Sotheby’s seems to be making a number of problematic assumptions, and I do not find that to be useful. Thus, I would simply conclude with these words: caveat emptor.
Northwest Semitic epigrapher Christopher Rollston raises some signficant points in this essay.

Background here and here, with links to posts on its previous sale in 2016. The object goes up for auction on 18 December.

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Did Bar Kokhba come late to the revolt?

REVISIONIST HISTORY: The Bar Kokhba Revolt Against the Romans in 131 CE Was Initially Led by Jewish-Origin Legionaries (Guillermo Carvajal, LBV).
A recent study led by Haggai Olshanetsky, a researcher at the University of Warsaw, has changed the historical perception of the Bar Kokhba Revolt or Second Jewish Revolt (sometimes also called the Third Jewish-Roman War) against the Roman Empire between 132 and 136 CE.

According to this analysis, Simon Bar Kokhba, traditionally regarded as the undisputed leader of the uprising, assumed control amid the conflict by displacing or eliminating the original leaders. This revelation challenges the narrative established by Roman and Judeo-Christian sources and sheds new light on the events of this historic rebellion.

[...]

Bold-font emphasis in original.

The open access, underlying article in the Palestine Exploration Quarterly is available online:

The Identity of the Leaders of the Second Jewish Revolt and Bar Koseba's True Role in the Insurrection
Haggai Olshanetsky
Published online: 09 Dec 2024
https://doi.org/10.1080/00310328.2024.2435788

ABSTRACT

This paper demonstrates that Bar Koseba was not necessarily the only leader of the uprising at its inception; the insurrection's leadership possibly included Jews who had previously served in the Roman army. The theory that there were numerous leaders in the beginning agrees with Dio's description and explains why, unlike Jewish-Christian sources, no Roman author named Bar Koseba occurs in any of the accounts. This interpretation answers further questions regarding the archaeological evidence from the war, such as how the revolt could have lasted so long despite the limited geographical area in which rebel coins were discovered, and why there are hidden complexes in the Galilee but no rebel coins or destruction layers. This is owing to the likely withdrawal of numerous provinces from the uprising once, or in the following months after, Bar Koseba came to power, a theory that fits well with the scrolls discovered in the Judaean Desert that are linked to the conflict.

There are countless PaleoJudaica posts involving the Bar Kokhba revolt. For many, not all, of them, see the links collecte here, plus here, here, here, here, here, here, and here, sometimes with additional links.

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Have the Tel Dan Stele fragments been mis-assembled?

NORTHWEST SEMITIC EPIGRAPHY AND PALEOGRAPHY: Has the Tel Dan Stele Been Reconstructed Incorrectly? New Research Suggests Yes. A compelling new study reveals the three chunks of the famous stele to be the work of two scribes. (CHRISTOPHER EAMES, Armstrong Institute of Biblical History).
Now, [Prof. Michael] Langlois has turned his attention to the very “House of David” inscription itself—the Tel Dan Stele. It’s an artifact that has become arguably the most famous piece in the world of biblical archaeology. And in the latest issue of the Israel Exploration Journal (Vol. 74, No. 2), Langlois has produced a consequential new assessment of it.

No, the new analysis doesn’t change anything about the reading of the “House of David” phrase on the stele. Rather, it reinterprets how the three main fragments of the stele go together—or, perhaps more accurately, how they don’t go together.

The article in the current issue of IEJ is available only to subscribers.

The Tel Dan Stele is current on exhibition at the Jewish Museum in New York. Earlier this year it was exhibited at Armstrong College in Oklahoma. For many posts on the stele, start here and follow the links. For a brief introduction to the stele and its inscription, see here

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Sunday, December 15, 2024

Kilgallon & Mitchell (eds.), Time and Chronology in Creation Narratives (Routledge)

NEW BOOK FROM ROUTLEDGE:
Time and Chronology in Creation Narratives
Edited By Silvie Kilgallon, Fiona Mitchell
Copyright 2025

Hardback
£97.50
eBook
£29.99

ISBN 9780367481667
158 Pages 1 B/W Illustrations
Published August 26, 2024 by Routledge
United Kingdom Flag Free Shipping (6-12 Business Days)

Description

This book explores the ways in which the origins of time, of the gods, and processes associated with time were conceptualised in antiquity, examining a variety of ancient sources from across the ancient world and addressing issues surrounding the sources themselves.

Time is a key framework through which we understand the world around us. Shared structures to measure the passage of time reveal certain cultural and societal values, while time’s less concrete forms are evident across art and literature. This volume examines how the tangible and intangible, direct and complex representations of time are used in ancient sources. The chapters in this book are written by scholars whose work focuses on India, Assyria, Greece, and Rome. Their analyses explore poetic and mythological narratives, philosophical discourse, and representations of the divine, allowing us to see how ideas about time and chronology reveal various cultural understandings of our world. Accessibly written, this volume enables scholars from a variety of disciplines to engage effectively with each chapter.

Time and Chronology in Creation Narratives offers a fascinating interdisciplinary collection suitable for scholars working in ancient literature, philosophy, and religion across Classics, Ancient History, Indology, and Near Eastern Studies.

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