New early fragments of b. Temura

THE TALMUD BLOG: A Tantalizing Tale of Temura Fragments – Guest Post by Noah Bickart.

As a Talmudist at the Jewish Theological Seminary of America, I have long been accustomed to fantastical tales about the discovery of ancient manuscripts of the Babylonian Talmud. That famous picture of Schechter in the Geniza hangs everywhere in our halls. We are taught from the beginning not only to read Raphael Nathan Rabinovitch’s Dikdukei Soferim, but to imagine him on some Sunday morning in Rome, unlocking the Vatican Apostolic Library with his own set of keys, sitting down to transcribe Vatican 109 by candlelight. We hear of our own Haim Zalman Dimitrovsky, who supervised the doctorates of so many of our own teachers (Shamma Friedman, Mayer Rabinowitz, Joel Roth, and Burton L. Visotzky among countless others), roaming the monasteries of Italy, excato knife in hand, no binding safe from the search for more Seridei Bavli. And yet, we are accustomed to thinking that the time for these kinds of monumental discoveries, of even a few leaves of a Tractate stuffed into the binding of a 16th century print, has long past, and that only European libraries and monasteries might hold more finds. You can imagine my surprise when I found myself staring at an image in a Facebook message of what looked to my own eyes as an early European manuscript of the Bavli, apparently having formed the cover of a book of Church Music published in Prague in 1604, now housed in Fales Library at New York University.

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Bit by bit, a letter at a time, whatever it takes. Until we're done.