The sheer improbability of the Israeli Opera’s annual outdoor event is breathtaking (William Littler , Toronto Star).
And you wonder why the Israeli Opera decided to venture beyond its handsome modern theatre in Tel Aviv to a place fit for camels? Cultural tourism has been embraced by this beleaguered and divided nation as a means of generating some good news headlines and the effort seems to be paying off.Background here and links.
Not that the performances I witnessed of Puccini’s Tosca and Orff’s Carmina Burana as a guest of the Ministry of Tourism were entirely satisfying from a purely musical point of view. Given the physical conditions of performing in the desert, how could they be?
People come here to participate in an event, some of them staying in Dead Sea resort hotels, some taking a long drive from Jerusalem. In either case they are rewarded with full-scale productions accompanied by a large orchestra and chorus.
