During the last days of Ramadan, Zamalek's Art Corner Gallery is hosting a new exhibition that celebrates the rich history of Arabic calligraphy – with a modern twist.This is a fascinating exhibition, but it is really outside the scope of PaleoJudaica. I mention it because the following in it caught my eye and may be of interest to readers:
'The Story of Arabic Calligraphy' features the work of fourteen artists who have been inspired by the Islamic and Arab heritage of calligraphic art. Their works draw on the elegant curves of the Arabic text in order to create new artistic pieces with a modern flavour.
[...]
A history of Arabic calligraphyIf you are interested in the further history of Arabic calligraphy, keep reading. But Nabataean (Nabatean) epigraphy and Arabic calligraphy are not my areas, so I can't vouch for the specifics.
Arabic text developed from Nabataean script – a form of writing used by the Nabataeans, who lived in territory located in modern-day Jordan, north-western Saudi Arabia and the Sinai Peninsula, and centred on Petra.
Historians have demonstrated the connection between Nabataean script and Arabic, using archaeological evidence such as the Namara inscription from Syria in 328AD, which uses Nabataean script to write Arabic, and the Zabad inscription from Syria in 512AD which is in three languages, Greek, Syriac, and Arabic. In this inscription, the Arabic text is recognisable but shows Nabataean influence.
"Researchers have argued that Arabic text originated between the era of the Namara inscription and and Zabad inscription, and the Harran inscription (of 568 AD) is considered the era of Nabataean transition to the Arabic script," calligrapher Mounir El-Shaarani told Ahram Online.
A couple of related recent posts are here and here. Cross-file under Aramaic Watch.
