GOLEM opened on 23 September 2016 at the Jewish Museum Berlin. Curated by the German American female duo, Martina Lüdicke (German) and Emily D. Bilski (American), the breakthrough exhibition ushers in an essential new dialectic of the Shadow simultaneously into academia and the international art world in 2016.Dr. Streitfeld sums up:
The golem can look back on a long career, in Judiasm and far beyond. Its story begins in the Hebrew Bible and continues, in constantly new transformations, into the present day. The ancient human dream of creating artificial beings connects with today’s world: genetic technology and artificial intelligence, computers and robots. All these endeavours to create a kind of golem.
—Peter Schäfer, Director of the Jewish Museum Berlin
GOLEM is the authentic irony of our current epoch: the Monster that breaks down the wall between ego and the uncertain realm of dark energy has the sheer force to explode boundaries between the art world and the academy while pointing towards the human transcendence that comes with surrender into the 96 percent unseen universe.Background on the exhibition is here. Follow the link at that post for earlier PaleoJudaica posts on past and present manifestations of the Golem legend.