Yitzhak Brand, “Just Weights” – Heavenly and Earthly Justice: A Study of the Laws of Weights and Measures in Rabbinic Literature (Heb.)Alternatively, see the website to download them as Word files.
Abstract
The laws of weights and measures in rabbinic literature are characterized by rigorous – sometimes perfectionist – standards. The extraordinary nature of these standards becomes conspicuous in a comparison between these laws and, for example, the laws of ona’ah. The punctiliousness here is partly explained by the resemblance between the conduct of a merchant – measuring and weighing – and of a judge: the merchant, measuring out quantities and amounts, is obligated to avoid committing any injustice. His weights must be just, his measurements exact. Further study reveals that the image of the judge is, in fact, the earthly reflection of the image of Divine justice. At the center of this image are the tools of Divine judgment: just weights and measures. A person who weighs and measures is required to bear Divine justice in mind at all times, as he employs the tools of earthly justice. Now any distortion of measurement – beyond representing deceit and injustice – becomes a rebellion against God. One who measures falsely may be compared, as it were, to an idolater.
Arnon Atzmon, Mordechai’s Dream: From Addition to Derashah (Heb.)
Abstract
Examining the history of the story of Mordechai’s dream (MD) and its journey from one literary context to another over the ages may help illustrate the different approaches used by authors in different eras to adapt the text to their own particular literary frameworks.
In the Greek additions to the Esther scroll, MD serves as a kind of introduction. The dream, together with its interpretation, frames the plot, providing it with a new context. This would mean that the Second Temple-period scribes tampered with the biblical text, altering the very nature of its story.
The Hebrew reworking of MD recorded in Josippon is apparently based upon the Vulgate, where MD, located with other additions at the end of the scroll, lost its original context. Josippon’s composer reworked MD and inserted it into the plot sequence as a crucial link. Here the biblical text is illuminated via a medieval extra-biblical composition, in the form of rewritten Bible.
Midrash Esther Rabbah draws upon the MD version found in Josippon, and uses MD to gloss the verses illuminating their exegetical-midrashic aspects.
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Monday, August 06, 2007
JEWISH STUDIES, AN INTERNET JOURNAL has published two new articles that can be downloaded as PDF files: